Alfredo Cramerotti is a writer, curator and broadcaster. He is Director of MOSTYN, Wales; Advisor to the British Council Visual Arts Acquisition Committee and the Art Institutions of the 21st Century Foundation. Amongst others, his curatorial projects include three national pavilions at the Venice Biennale, and the biennials Sequences VII Reykjavik, Iceland (2015) and Manifesta 8, Region of Murcia and Cartagena, Spain (2010). He serves as Vice-President of AICA (International Association of Art Critics) and is member of the IKT (International Association of Art Critics) and CIMAM (International Committee for Museums and Collections of Modern Art), part of ICOM. He is Editor of the Critical Photography book series since 2009, and his own publications include The Curator’s Book (forth. 2020); Forewords: Hyperimages and Hyperimaging (2018); Unmapping the City: Perspectives of Flatness (2010); and Aesthetic Journalism: How to Inform without Informing (2009). @CuratorView

Nathalie Du Pasquier: In Conversation with Alfredo Cramerotti

The Psychology of Painting: Dexter Dalwood

From Print to Negative, and Vice Versa: Mladen Bizumic

Forms of Tension: Ewa Axelrad

Angelo Plessas: Politics of Togetherness // Profile of the Artist

Astrid Klein & B. Ingrid Olson: Profile of the Artists

Camille Blatrix: Melancholy and its Discontents

Marinella Senatore: The Sleepless Performer

Diango Hernández: Time Islands and Space Islands