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THE PROPOSAL // EXPLORING THE BODY IN AND OF JILL MAGID’S ART By Shelby Heitner True to its name, the documentary The Proposal (2019) superficially seems to follow

In a (Black) Way // Three Chicago Artists Push the Limits of Blackness By Susan Mackey In the catalog essay for the 2016 exhibition Blackness in Abstraction at Pace

THE PRIVILEGE OF PROXIMITY // VENICE BIENNALE’S SINKING SHIP By Rashayla Marie Brown Writing a first-time review as an emerging artist about the largest and

ANNE IMHOF: SEX // THE ART INSTITUTE OF CHICAGO By Jill Danto There is a beginning somewhere, but it is unclear where to place it.

THE CHICAGO IMAGISTS, THEN AND NOW // In Conversation with Sarah Canright By Barbara Purcell Artist Sarah Canright’s 50-year career has been impressive from the start, beginning in

I,I,I,I,I,I,I, KATHY ACKER // ICA, LONDON By Rafael Powell “I’m always destroying,” the late Kathy Acker said in an interview at the

VIVIAN SUTER // GLADSTONE GALLERY, 21ST STREET By Arthur Ivan Bravo Despite her voluntary reclusiveness, having lived and worked from a complex of

THE SEEN EXPANDS GLOBAL REACH OF PUBLICATION THROUGH PARTNERSHIP WITH MOTTO DISTRIBUTION by the Editors Motto in Berlin. Image courtesy of Motto Distribution and Publishing. THE SEEN, Chicago’s International

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