Posts Tagged ‘The Seen’

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WORDS WITHOUT THOUGHTS NEVER TO HEAVEN GO // ALMINE RECH

by Paige Landesberg The presence of text in artwork challenges the set of definitions that we have for words in favor of image. Words Without Thoughts Never to Heaven Go, recently on view at Almine Rech in New York, the exhibition depicts a history of words used in artwork, from early modernism through to contemporary.[…]

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MARTIN PURYEAR // PARASOL UNIT, LONDON, UK

by Dr. Kostas Prapoglou Martin Puryear’s (b.1941) first solo show in a public institution in London embraces a survey of almost four decades of artistic production. His first solo exhibition, which took place in 1968 at Gröna Palletten Galleri when he was studying printmaking at the Royal Swedish Academy of Fine Arts in Stockholm, was[…]

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MARYAM TAGHAVI // LAXART

REVERSING TIME, RESHUFFLING SPACE, REVAMPING US: A LOOK AT THE WORK OF LANGUAGE IN MARYAM TAGHAVI’S RECENT WORKS By Niloofar Sarlati The use of language in two of Maryam Taghavi’s recent works is bold and timely in the aftermath of the Trump Administration’s travel ban. In Reconstitution, a group exhibition at LAXART in Los Angeles, the[…]

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BLUE BLACK: GLENN LIGON // PULITZER ARTS FOUNDATION

click here to download PDF by Brian Prugh When Glenn Ligon visited the Pulitzer Arts Foundation in St. Louis, Missouri, to consider doing a project, he was looking at Ellsworth Kelly’s monumental painting on aluminum, entitled Blue Black (2000), when he “heard Louis Armstrong’s gravel-strewn voice singing, ‘What did I do to be so black[…]

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LETTER FROM THE EDITOR

click here to download PDF by Stephanie Cristello On April 8, 2017, in Athens, my first encounter of documenta 14 was marked by the translation of Arseny Avraamov’s Symphony of Sirens (1919–1923). Installed within the upper level galleries of the EMST, National Museum of Contemporary Art Athens, archival text and scores related to the composer’s[…]

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ISSUE 05 // ANNOUNCING PREVIEW TITLES

Under the Cover THE SEEN announces the Fall / Winter preview titles launching Issue 05 in print this September 2017, featuring Bouchra Khalili on the cover to align with their inclusion in Palais de Tokyo | Singing Stones at The Roundhouse on the DuSable Museum of African American History campus. The full-color, oversize journal will be produced as a limited-edition 9,000 count run available for distribution[…]

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LYNETTE YIADOM-BOAKYE // A PASSION TO A PRINCIPLE

click here to download PDF By Bomi Odufunade A Passion To A Principle constitutes Lynette Yiadom-Boakye first institutional solo show in Switzerland. The exhibition, on view at Kunsthalle Basel, identifies many of her signature themes: a figurative painter, her luminous canvases are filled with mostly black figures notable for their unbeknownst ambiguity. She paints these[…]

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TAKUMA NAKAHIRA // CIRCULATION

click here to download PDF By Ruslana Lichtzier When I first entered Circulation, a solo exhibition by the deceased Japanese artist Takuma Nakahira at the Art Institute of Chicago, my senses heightened. Something in the space felt off. The aesthetics of the exhibit did not align with typical museum standards. Small-scale black and white analog[…]

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ANSLEM KIEFER // WHITE CUBE BERMONDSEY

click here to download PDF By Dr. Kostas Prapoglou Anselm Kiefer’s most recent exhibition at White Cube Bermondsey in London is at once an allegory and oxymoron between fantasy and raw reality. Entitled Walhalla, after the imaginary Arcadian place in Norse mythology, the show spans the gallery’s entire space, encompassing a newly commissioned site-specific installation,[…]

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A REVOLUTIONARY IMPULSE // THE RISE OF THE RUSSIAN AVANT-GARDE

click here to download PDF By Anastasia Karpova Tinari By 1917, the Modern Industrial Age had radically transformed society. WWI and concurrent social revolutions questioned whether the advent of electricity, trains, cars, would result in the destruction or betterment of humanity. Artists throughout Europe responded with radical movements—Fauvism, Cubism, Futurism, Orphism, and Dada—that increasingly threatened Academic[…]

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ASTRID KLEIN & B. INGRID OLSON // PROFILE OF THE ARTISTS

click here to download PDF By Alfredo Cramerotti The conversation between writer Alfredo Cramerotti and artists Astrid Klein and B. Ingrid Olson took place during the preparation for the two-person exhibition at The Renaissance Society at the University of Chicago in April 2017. Klein (b. 1951) lives and works in Cologne and Leipzig, and has shown[…]

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DIANE SIMPSON // HOUSE IMAGES

click here to download PDF By Susan Snodgrass In The Poetics of Space, Gaston Bachelard’s well-known meditation on the phenomenology of architecture (published in 1957), the interior space of home offers a storehouse of images and experiences by which to unleash the poetic imagination. “[B]y approaching the house images with care not to break up[…]

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JIMMIE DURHAM // AT THE CENTER OF THE WORLD

click here to download PDF By Joel Kuennen I am a white male born in the United States.[1] My father was born in Chickasaw County, Iowa, on land stolen from the Ho-Chunk tribe.[2] The Chickasaw never lived there. In some cruel joke, the county was named after a tribe that had lived in the Southern[…]

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SMOG, DRONES, STAIRCASES, AND ENERGY DRINKS // ANNE IMHOF

click to download PDF By Vanessa Gravenor Smog, drones, staircases, and energy drinks: these are the objects that dominate Frankfurt-based artist Anne Imhof’s performative installations. These inanimate articles and states are sometimes joined by falcons, horses, and bunny rabbits. Composed almost entirely of immaterial gestures, Imhof’s work exists at the intersection of contemporary dance and[…]

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HOMECOMING // TANIA PÉREZ CÓRDOVA

click here to download PDF By Tara Plath While Smoke, Nearby, an exhibition of work by Mexico City-based Tania Pérez Córdova, which recently opened at the Museum of Contemporary Art Chicago, marks the artist’s first solo appearance in the United States, the show feels like somewhat of a homecoming. This affect is perhaps common for[…]

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MERCE CUNNINGHAM // COMMON TIME

click here to download PDF By Robert Chase Heishman Two dancers lay on a rich, saturated pink carpet—their duet, at first, appears as an almost imperceptible one. Through continuous, extremely gradual movements, each dancer moves from one position to the next, over the course of what is an hours-long performance piece. The presence of the[…]

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POTENT PUSSY // JUDY CHICAGO

click here to download PDF By Natalie Hegert “It would be ridiculous to say that there’s been no change,” Judy Chicago intones with we’ve-been-through-this-before fatigue, “…but you know I can still open an art magazine and see all male shows. I don’t fucking believe it.” Chicago and I spoke over the phone just weeks after[…]

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HONOLULU BIENNIAL // NGAHIRAKA MASON

click here to download PDF By Gan Uyeda Ngahiraka Mason served as the Curator of Māori Art for two decades at the Auckland Art Gallery Toi o Tāmaki, New Zealand’s largest public art museum. There, she greatly expanded the representation of Māori art and culture, while consistently demonstrating cross-cultural and intergenerational linkages between thinkers and[…]

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ED FORNIELES // THE FINILIAR

By Elliott Mickleburgh After reading through the headlines of your local newspaper, do you ever curiously flip to the business section and puzzle through the jargon found on those pages? The articles themselves are intelligible enough—tech startups are bought and sold, American pharmaceutical corporations are contemplating tax shelters in the Republic of Ireland, Wall Street[…]

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PIPILOTTI RIST // NEW MUSEUM

Digital Delirium By Vanessa Gravenor Pipilotti Rist’s work is known for her characteristic hallmarks of fusion between digital and cinematic space, between architecture and the body. Most of her work can be characterized by an aesthetic that weaves into feminism, body politics, and sexuality. This aesthetic is comprised of stretched out slow cam underwater shots[…]

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COMPLICATED BEAUTY // CONTEMPORARY CUBAN ART

by Brian Prugh Yoan Capote is quoted in the wall text by his painting as saying, “The sea, for me and for a lot of Cubans, was like a wall, more an image of isolation than a beautiful place. I grew up with a frustration about the limitation and an obsession about crossing the sea.”[…]

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FOREWORD // ART & LANGUAGE: A CONQUEST

By Stephanie Cristello  Download PDF In April of 2016, I was invited by Jill Silverman van Coenegrachts to attend the opening of the Philippe Méaille Collection at the Château de Montsoreau—a beautiful renaissance style castle installed at the convergence of two rivers, the Loire and the Vienne. The château was built on the remains of[…]

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EMERGENCY CONDITIONALS // ART & LANGUAGE

Edited by Stephanie Cristello Download PDF Texts by Stephanie Cristello, Jill Silverman van Coenegracths, ART & LANGUAGE (Mel Ramsden, Michael Baldwin), and Matthew Jesse Jackson. Designed by JNL Graphic Design. Published by EXPO CHICAGO, 2016. Limited edition publication of 250. Emergency Conditionals—first presented at the conference ‘Philosophy and Conceptual Art’ at Kings College London in June 2004 and subsequently[…]

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OLIVER RESSLER // SALT GALATA, ISTANBUL, TURKEY

In Conversation with Dr. Kostas Prapoglou  Who Throws Whom Overboard? is a survey of the work of Austrian born and based artist Oliver Ressler at SALT Galata in Istanbul, Turkey dating between 2004–2016 and addressing issues of migration, borders, citizenship, capital, society, ecology and alternative economies. Spanning numerous areas of SALT, the exhibition brings together[…]