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Psychotic Images: The Surrealist Scientific Films of Éric Duvivier

Jade Barget
  • Essay
  • March 29th, 2021 03.29.2021

    Claudia Wieser: Structural Rhythm and the Interweaving of History

    Rachel Adams
  • Essay
  • November 18th, 2020 11.18.2020

    Julia Fish: Illuminations of Partial Recall

    Judith Russi Kirshner
  • Essay
  • October 20th, 2020 10.20.2020

    Sonics of Separation: Lawrence Abu Hamdan // Jameel Arts Center

    Ruba Al-Sweel
  • Review
  • October 26th, 2020 10.26.2020

    Where Memory Burns: Thuy-Han Nguyen-Chi

    Jade Barget
  • Essay
  • November 5th, 2020 11.05.2020

    Exit Strategy: Huong Ngo’s Escape in the Time of Pandemic

    Noah Hanna
  • Essay
  • July 30th, 2020 07.30.2020

    Slave Rebellion Reenactment: History, Context, and Impact with Dread Scott

    Yoli Terziyska
  • Review
  • July 30th, 2020 07.30.2020

    Centropy: Deana Lawson // Kunsthalle Basel

    Brit Barton
  • Review
  • July 30th, 2020 07.30.2020

    Six Memos: On Art in the Age of Quarantine

    Stephanie Cristello
  • Program
  • Special Edition
  • June 16th, 2020 06.16.2020

    Something other than either: Pati Hill // Kunstverein Munich

    Francesco Tenaglia
  • Review
  • June 16th, 2020 06.16.2020

    Jim Hodges and the Holy Infinite

    Jordan Spencer
  • Essay
  • May 28th, 2020 05.28.2020

    AfriCOBRA: Gerald Williams

    THE SEEN Editors
  • Special Edition
  • September 26th, 2018 09.26.2018

    On Narrative and Voids: Nate Young In Conversation

    THE SEEN Editors
  • Program
  • April 30th, 2020 04.30.2020

    List Projects 21: Rami George // MIT List Visual Arts Center

    Jameson Paige
  • Interview
  • April 27th, 2020 04.27.2020


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